Whether the area you’re working together is a tiny wall in a condo or a large wall in a room that is great, a group of paintings could create a design statement that’s unique to each homeowner and her home. An interior designer’s trick with paper helps make the procedure painless, and Developing a group is accomplished by following a few layout guidelines and ensures success.
Determine the shape of the wall space available for the group as square or rectangular and measure this region. A rectangular silhouette warrants a grouping that is rectangular or oval; a square silhouette warrants a square or round group. Measure from the bottom of the group shape to the stage. This is actually the eye-level measurement.
Identify the decor design of this room contemporary, modern, classical or traditional. Most chambers will fit into these general categories. Square or rectangular groupings are suitable in contemporary or contemporary interiors. These contours, when softened, become round and oblong and therefore are more suited to conventional or classical interiors.
Large sheets of paper with each other to create a single paper silhouette which conforms to the wall shape’s dimensions. Draw the outline of the round or oval shape using a pencil, if applicable. Draw a horizontal line on the paper that correlates to the measurement.
Gather all of the paintings and label each one. Use painter’s tape to ensure damage-free elimination of this label.
Set the most important, or favorite, painting in this paper shape’s middle. Position the center line of this painting with the eye-level line of this paper shape.
Organize the paintings around the middle painting. Put each painting two to four inches from the one, both horizontally and vertically. It’s better to have the paintings closer together inside a smaller region compared to spaced apart in an attempt to use more wall area. A small, well-grouped rectangle creates more visual impact than a large, one that is sprinkled and is much more pleasing.
Create one horizontal line across the bottom of the rectangular or square group by lining the bottom of paintings up. This visual anchor establishes the contour in the perception of the viewer. Make this line on round or oval shapes by placing the center of paintings across the eye-level line.
Keep the paintings inside the grouping shape. Continue rearranging and moving before the group is gratifying to you. That can be an arbitrary decision; there aren’t any tough design principles.
Draw round the perimeter of each painting and label the outline with the designation of the painting.
Tape the sheet of paper and hang each painting in its area. Tear the paper away when finish.